Go for it!

What you’ll look like doing #NaNoWriMo 2019

Welcome to November! Just as Julie returns to sporting themes periodically, I seem destined to return to NaNoWriMo around this time every year (see Ready, Steady, NaNo or Eeking out time to write). If you’re not participating in NaNo 2019, don’t x this article out! While NaNo was what got my gears turning, this article is aimed at anyone who’s been wanting to do something creative and new, but hasn’t…yet. To those of you who find yourself thinking, “I’d love to try, but…”, keep reading. 

First, a brief aside; I promise it will all come together by the end. I LOVE NaNoWriMo (in case you hadn’t already figured that out). This is my 7th year participating, though, if I’m being honest, two of those years were total flops. Maybe this year will be a flop too – it’s too early to tell. So, the question is why do I love NaNo so much, especially if I can never be certain if I’m going to be a “winner”? 

It’s because NaNoWriMo is one of those opportunities in life that is ALL win. 

Let me explain. 

Outcome A: You work really hard and you find out that your story only has 40,000 words to it (not the 50K required to ‘win’). YOU WROTE A STORY! A WHOLE STORY! (Ok, at least two-thirds of a story.) That’s amazing! You’ve just birthed art into the world and you’ve exposed a part of your deep dark consciousness to the light. How can that be anything but a win?

Outcome B: You have the best of intentions, but life is overwhelming and you only manage to write 5,000 words of a story that you know is going to be a blockbuster one day, if only you had the time to write it. FANTASTIC! You’ve tapped into that inner muse, the genius of the universe, and as a result you WILL come back to this addictive idea another time. November is a weird month, sandwiched between back to school frenzy and holiday insanity. My kid doesn’t have a single full week of school this entire month. It is NOT the ideal writing month, from my perspective. So give yourself credit for unearthing an award winning idea and allow yourself to be excited about getting back to it in January, February, July, or whenever it is that YOU can make time for it. 

Outcome C:  You write 10,000 words of something that feels totally frivolous. You’re writing in a genre you never thought you’d write in, that maybe you don’t even read in, and you have no idea what you’re doing or where you’re going with it. It has no place to occupy on your short-list of professional goals. WHAT A GIFT!! You just learned something new about yourself. Or maybe you knew, but you’d forgotten and allowing this part to have a little time in the sun feels like a reconnection with yourself. Maybe your brain needed to do something different in order to be able to knuckle back down to the hard tasks you demand of it all the other hours in the day. Whatever the reason, take a moment to honor how it felt, and to reflect that perhaps not every minute of your day needs to be task oriented.

Continue reading “Go for it!”

Begin. Again.

“Failure is simply the opportunity to begin again, this time more intelligently.” – Henry Ford

I’ve got a note on the wall in the shower (if you haven’t discovered Aqua Notes, you’re missing out – they will change your life) that reads: 

If you’ve been reading our blog for a while, you’ll know that September was not my month for writerly achievements. It was, in fact, the month I wanted to take a sledgehammer to my laptop, delete all my files from the cloud, and otherwise burn it all down. Which isn’t really my style, generally speaking. Luckily, the phase passed after a few days of self-pity. Then it was time to begin again. To start over. To redefine the way I approached the things that were draining me. 

But where? What should I do differently to ensure I didn’t end up back at the nuclear option?

The act of writing the note was my start.

1 page

1 pound

1 stretch

Begin

It was an exhortation to myself to get moving. It was a new set of goals, and maybe most importantly, it was a reminder to break my goals down into small, achievable pieces.

The idea of setting achievable goals in order to create a cycle of successes isn’t a new one. In fact, it might be THE lesson life has been attempting to teach me in 2019. As usual, though, I’m a slow learner. Despite having encountered this notion in several formats this year, I keep setting goals that lead to frustration. I couldn’t figure out how to reconceptualize the goal-setting process.

Frustrated Head GIF by swerk - Find & Share on GIPHY

Then I had one of those fortuitous visits with a couple I love dearly who have recently achieved dramatic, healthy weight loss.  I’m not exaggerating when I say that they’ve, together, lost as much as I weigh. It’s amazing. And so inspiring. Especially for someone who has stubbornly hung on to the last 10 pounds of baby weight accumulated over six years ago.  I asked my friends how they did it, expecting guidance on apps used, food systems implemented, etc. My mind was blown by the simplicity of my friend’s response. She said that she had never had much success trying to lose 10 pounds or 20 pounds, so she decided to lose ONE pound. And then she did it again. And again. And again. It was a success she repeated so often that it became habit. 

THIS is the lesson the universe has been trying to teach me! One pound. I can lose one pound. Even if it is one pound of die-hard, stick to your hips baby weight. I can totally do one.

Continue reading “Begin. Again.”

On Raising a Writer

Photo by David Pennington on Unsplash

If you love to write, it’s natural that you want (and maybe expect) your kids to love writing. Totally misguided, but natural. I think I’ve raised all three of my boys the same way when it comes to reading and writing, but there have been drastically different results. Because they are their own persons with their own interests and gifts. The nerve, right? Anyway, I still stand by some of the techniques below because they’ve helped each of the boys, albeit in different ways. So, if you’re looking for some help with your reluctant writer or you want to encourage your budding Stephen King, check these out…

  1. Read.

Yes, the same advice that was given to you when you first expressed an interest in becoming a writer. Read. Everything. For kids, that translates into reading aloud often and exploring different genres with them. One of my kiddos didn’t read independently until age seven. As we encouraged him to learn his stinking sight words, we continued reading aloud every night. We took books on CD in the car and made sure he had a little CD player so he could listen to them on his own, too. By fostering the love of story, you can expose them to the parts of a story, dialogue, and characters. All things that are good foundation for when they are writing themselves.

We recently started picking up PlayAways at our library and they love them! Check to see if your library carries them!

2. Take Dictation

I let all three kids dictate stories to me when they were too young to write. You can fold some paper in half and – to everyone’s delight – get out the stapler. The most exotic of all office supplies. Or you can buy some of these. Whatever works. As they told me their story, I would stop them now and then to ask a question with great interest. What happened next?  Was anyone with the mechanical robot bunny? How did that make the monster feel? It becomes a bit of a conversation. You’re getting more details and helping to build their story. In our case, it helped if I didn’t censor much. They felt free to be as imaginative as they wanted.  So, there were lots of farting, mechanical robot bunny defeating the three-headed monster stories.

Continue reading “On Raising a Writer”

Getting a Grip with Author Sarah Kapit

Kat Portrait Studio

I’m excited to share an interview with author Sarah Kapit. Her debut middle grade novel, GET A GRIP, VIVY COHEN!, releases February 25, 2020. From Sarah’s website:

Vivy Cohen yearns to throw her knuckleball in a real game. But her mother is convinced that an autistic girl won’t be able to handle the pressures of a full baseball season. When a Little League Coach spots Vivy practicing with her brother in the park, she gets her chance. She makes a deal with Mom: Vivy can give baseball a try.

But pitching for a real team isn’t exactly easy. During her first season, Vivy must deal with nerves and bullies. And after a line drive smacks Vivy straight in the forehead, keeping Mom on board with Vivy’s baseball dreams proves just as tough as keeping the ball in the strike zone.

Through all of her travails, Vivy writes letters to the one person she can be honest with: MLB pitcher VJ Capello. Then, VJ writes back.

Sounds amazing right?! (You can pre-order it here!) Read on to learn about her inspiration for the book and some of her thoughts on the craft of writing.

Thanks for taking the time to chat with us, Sarah! Congratulations on your upcoming debut middle grade novel! Can you tell us where or how you got the idea for GET A GRIP, VIVY COHEN! ?

As a baseball fan, the idea of a woman pitcher in MLB is so exciting to me. When I first saw the previews for PITCH–an absolutely wonderful show that was tragically cancelled after one season–that was really the genesis of the story. I just had an intense emotional reaction to seeing a woman taking the pitcher’s mound.

So all of that was percolating around my brain. Plus, I’ve long believed it’s likely that the first woman to play in MLB will be a knuckleball pitcher because the pitch relies on finger movement. Knuckleballers don’t have to be capable of throwing the ball 95+ miles an hour. Since I write middle grade, a girl knuckleball pitcher with big dreams came to my mind. I’ve also long wanted to write an explicitly autistic character, in a book that explores themes of neurodiversity. When I realized that all of this could fit together, the book’s concept just fell into place.

You recently received a box of ARCs of your book. How did you feel finally seeing it in print?

Completely amazing! I keep one copy by my nightstand and it’s hard to stop liking it. Vivienne To did a great job with the cover art, and it looks even better in print. I also love the way the interior design team laid out the pages.

And here’s the awesome cover!

Your main character, Vivy, has autism and her mother is reluctant to let her pitch for the baseball team. Do you think this book will open up dialogue between kids who have autism and their parents?

I hope so! Mostly, I hope that autistic kids who read this book realize that their way of advocating for themselves is valid, and that what they say matters.

Continue reading “Getting a Grip with Author Sarah Kapit”

Filling the Creative Well: Writing Exercises for Your Week


A long time ago, in a lifetime far away, before I was a SAHHM (Stay at Home Hot Mess), I had the privilege of managing a very talented writing staff. Part of my responsibility to that staff was providing “fill the well” activities and opportunities. We wrote greeting cards and, as you can imagine, we had to find exercises and activities to keep our brains fresh when charged with finding new ways to say “Happy Birthday.” Today I thought I’d share a few of the exercises we worked through.

I’ve adapted the first exercise a bit since you’re probably not working in a group environment.

CHARACTER SNAPSHOTS

Character Snapshots helps stretch your brain muscles for character development. It’s intended to be like freewriting. You’ll write quickly and without editing yourself.

With the writing staff, I gave them each a brown paper bag and a photo of a person from a photography website. There were five random objects in the bag. They had to write a character sketch explaining who the character was and why those items were important to the character. Below is a modification.Find a few photos of individual people on the internet. If you write middle grade or young adult, try finding photos of kids who might be characters in your book. Print those out. The bonus of printing out a photo is you won’t need to write about physical characteristics – which lets you get to the good stuff faster.

  • Print ten photos of random objects from online. Do this quickly and don’t think too much about what you choose. You’re trying to re-create the randomness of the paper bags here, so the less you think about what you’re choosing, the better. You can paste the images into a Word document, so you can shrink them and not use up all of your printer’s ink. Just cut them into little squares once you’ve printed.
  • Turn the print-outs of the items upside down so you can’t see the images. Pick five along with a people photo.
  • Now, clear your brain and do a character sketch. Set a timer for 10 minutes. The point of this is to do some quick thinking and not get too hung up on details. Think of it as a nice warm-up for your gray matter.
  • Things you may include: character’s name, where they live, their job, if the items belong to them or if they were given to them, what they mean to the person. Here’s a quick example:

Photo by olivia hutcherson on Unsplash

Objects:

(Photo credits are at the bottom of this post.)

Name: Penelope Tinker, age 30, lives in Nevada

Antique watch: was her grandmother’s, she gave it to Penelope in her will.

Ring: Penelope is married. Married very young. They seem to be drifting apart as they enter their 30’s.

Dice: Her gambling problem

Coffee mug: affair

Running shoes: She’s training for a marathon

After jotting down some quick ideas, I started fleshing the sketch out below.

Penelope Tinker has a gambling problem she’s trying to hide from her husband. She’s in dangerous debt, as in owes some scary people a lot of money. She’s trying to figure a way out of debt without hocking her grandmother’s antique watch. She’s training for a marathon with her best friend. Her husband has seemed more distant since she started traveling for work so much. Last time she left town for her job, she came back to a mug with lipstick marks on it. Unfortunately red isn’t her color.

You can go as long or as short as you want. You might start some freewriting and not want to stop. You don’t have to write about the current situation the character is in…maybe you write about something that’s happened to them in the past, incorporating those items.

You may never get a main character for your next book out of this exercise, but if you save the snapshots, you can go back through them to mine ideas on days your brain isn’t cooperating. Remember – your fictional characters are more than likes and dislikes or the color of their hair!

Continue reading “Filling the Creative Well: Writing Exercises for Your Week”

Give me Liberty!

Photo by Fabian Fauth on Unsplash

I recently attended a writing workshop sponsored in New York City – my annual effort at professional development.  It was a great day.  I met other writers, many of whom are also seeking to land an agent, desperate as I am to find someone else to validate their dreams of authorship.  It felt like group therapy, talking to all these other people who are walking the same path, encountering the same hurdles, worrying the same questions on the finer points of query letter etiquette.  

The seminars were really useful too; I jotted down pages of notes on everything from social media management to revision techniques, and, of course, on finding the elusive agent. Speaking of whom, the workshop had several agents on-hand, spending their Saturday leading the seminars and fielding pitch after pitch from hopeful authors (like yours truly) willing to pay $30 for 10 minutes of the agent’s one-on-one time (instead of just querying them for free – more on this in a future post.) 

Three weeks on, I’ve gotten a kind but entirely unhelpful rejection from one of the agents I spoke with, and I’m still waiting in the usual interminable purgatory for the other agent I met.  But while I’ve been waiting, I’ve struck up a number of new online friendships with some of the authors I chatted with at the workshop.  One of these new writer friends began venting about the fact she hadn’t heard back from the agents she queried after ONE WEEK.  

Now, I’m not a fan of the way this whole find-an-agent system works.  It seems overwhelming to the agents and unnecessarily anxiety- and depression-inducing on the author.  But I get that this is the system that we have, a direct result of supply outstripping demand, and that agents are humans too. Having just surrendered a Saturday away from their friends and family to field the same questions they’ve probably heard 100,000 times before, they may need another couple (dozen) of weekends to get around to actually reading what we were all only too happy to send them within minutes of getting their nods.  I mean, everyone deserves a weekend.  

I tried my best to convey this to my new writer friend, but I could feel her resentment dripping off my screen, impervious to my attempts at humanism.  That’s the problem with resentment, though.  It’s a cumulative condition, built a hair’s width at a time, until you’ve got a wretched, snarling beast on your hands. 

Continue reading “Give me Liberty!”

Daring Greatly in Writing


Photo by Emma Matthews on Unsplash

Publishing and the writing industry can wear you down. Make you want to rock in the fetal position. It’s a constant test of patience and perseverance. So, whenever I can find a source of encouragement – anything that keeps me from setting my current manuscript on fire – I know I have to share it!

I stumbled upon Brené Brown’s Netflix special while folding some never-ending piles of laundry and I loved it!  (The special, not the laundry folding.) The special is titled Brené Brown: The Call to Courage and you can see some of the trailer here. A bit from her online bio…

Brené Brown is a research professor at the University of Houston where she holds the Huffington –Brown Endowed Chair. She’s spent the past two decades studying courage, vulnerability, shame, and empathy. She is the author of five #1 New York Times bestsellers: The Gifts of Imperfection, Daring Greatly, Rising Strong, Braving the Wilderness, and Dare to Lead.

If you have not seen her Netflix special or her TedTalk, please go watch them now. We’ll wait…

Okay, maybe you don’t have time to watch now. I’ll fill you in a little. In her Netflix special, Brené explains where she got the inspiration and title for her book Daring Greatly. To her horror, her 2010 TedTalk had gone viral and, against her better judgement, she read the comments online, which, of course, were a dumpster fire of cruelty and criticism. She tells the story – and she’s hilarious – of how she was numbing her feelings with screen time and peanut butter when she stumbled upon this quote from a speech given by Theodore Roosevelt in 1910:T

It is not the critic who counts;
not the man who points out how the strong man stumbles,
or where the doer of deeds could have done them better.
The credit belongs to the man who is actually in the arena,
whose face is marred by dust and sweat and blood;
who strives valiantly; who errs,
who comes short again and again,
because there is no effort without error and shortcoming;
but who does actually strive to do the deeds;
who knows great enthusiasms,
the great devotions;
who spends himself in a worthy cause;
who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly,
so that his place shall never be with those cold and timid souls
who neither know victory nor defeat.”
-Theodore Roosevelt, 1910

Brené Brown goes on to encourage us to choose courage over comfort, knowing that criticism and failure are inevitable. I thought about how that idea and this quote could be applied to our creative pursuits, specifically writing.

Continue reading “Daring Greatly in Writing”

The post-project blues

Photo by Ahmed zayan on Unsplash

For those of you who know me, or who have been following this blog for a while, you know I tend toward Type A-ness. I’m generally upbeat, high-energy (obnoxiously so when over-sugared/caffeinated), and goal-oriented. I don’t suffer from low esteem, nor do I tend toward mood swings (hold on, had to check with my hubby on that…he confirms that I’m generally low volatility). So why, in the wake of finally finishing 18 months’ worth of work (that I thought would take 12), having achieved my goal of wrestling my latest manuscript into sufficient shape to begin the submissions process, do I feel so…adrift? 

Believe it or not, I’m 100% sure this malaise has nothing to do with fear of the impending rejections. In fact, the receipt of my first rejection this week actually sort of made me feel better. It was the crossing of a threshold that at least indicates progress, like passing a mile marker on the highway. Only I still feel like I cruised past it doing 30 mph on the highway I normally zoom down. After two weeks of what can best be described as achievement apathy (goals are still being set and met, but without any of the zing), I hit the internet to find out if this experience is a thing or if it’s just me. 

Good news! It’s not just me! Or even just my generation. A 1987 article from the New York Times on “post-writum depression” describes all my symptoms and let me know I’m in good company with the likes of Joyce Carol Oates, Judith Krantz, and Danielle Steele. Psychology Today calls it the post-adrenaline blues and posits my present low could be chemically-based – a drop in the adrenaline that fueled me through those final revisions and frantic synopsis drafts. My body could actually be in withdrawal, like an addict, but craving the stuff I was creating through my own internal pressure – which means that given enough time, I will naturally rebalance. 

I suspect a part of what is going on is good old-fashioned grief. Huffpost calls it the post-book blues – that horrible aching loneliness when you hit the end of the book where you fell in love with a character, or characters, or sometimes even a whole world (here’s looking at you, Hogwarts).  Popular Science published a great article validating the mourning of the loss of a fictional character just last month. Which I have to admit, made me feel better about my tendency to take a day or two off from reading anything more than a magazine article in the wake of a powerful book. It stands to reason that grief is stronger for characters you’ve created and gotten to know on a very personal level. If I needed a few days to get over “A Gentleman in Moscow,” I’m going to need to cut myself some slack on getting past thinking about what my main characters would be doing right now, if I hadn’t just closed the book on them.

For me, though, to move from the relationship I’ve developed with these characters over the last year and a half into the next relationship feels like serial dating, and I’m not yet ready for the rebound. 

So how much time do you give yourself when you’re grieving the end of the intense relationship you’ve had with the characters you created? Stephen Pressfield advocates jumping straight into the next project to keep your momentum going. I’m sure there’s good sense in that, and clearly it works for him. For me, though, to move from the relationship I’ve developed with these characters over the last year and a half into the next relationship feels like serial dating, and I’m not yet ready for the rebound. 

The research shows I’m not alone in this either. I was thrilled to find this article by writer / writing coach Lauren Sapala, and this one on Writer Unboxed by Jeane Kisacky. Still, I was left wondering what to do about it. Not writing feels wasteful. But I can’t seem to bend my will to starting another project yet. Even doing the small projects, the ones that I’ve been saying I’d get to for a while (as Kisacky mentions doing) doesn’t seem to help me feel much better. So I took to social media to see what others writers do. Some of you likely saw my questions there, and if you took the time to answer, then thank you! It means a lot to have community I can reach out to at times like this. 

According to my highly unofficial poll, very few other women writers jump straight into the next project (sorry guys, I polled an all female writers’ group). Most respondents said they take Kisacky’s route and work on some smaller projects for a while. A few indicated they take a week or so to catch up on the life they missed while they were writing, a la author Amy Wallace.  All of which is good news for me, since I’m combining a bit of both approaches: trying to reacquaint myself with regular exercise while also trying my hand at some shorter stories and article submissions I kept saying I’d get to once the pressure of the novel was off my shoulders.

Discovering that this experience is so common that it has names has helped me feel at peace with where I’m at. But the amazing part of this has been the re-discovery that I’m not alone. Even though I sit here by myself on this side of the screen, so many of you out there are with me. And knowing that we’re here for each other has helped more than anything else. Thank you, All!

Photo by Ángel López on Unsplash

-Thea

Thank you, Thea, for all of your awesome research – as usual. I now have a bunch more articles to go read! I think it makes sense that we need some time before jumping into an entirely new world, especially after the blood, sweat, and tears we poured into the previous world!  I remember being very impatient when I finished my first manuscript. I was tapping my toes waiting for the next story to show up. (Preferably outlined and with fully-developed characters.) I remember writing snippets of inner dialogue for different characters in a spiral notebook, waiting for one of them to hand me a story! In the meantime, I guess I did many of the things Thea mentioned above, like catching up on life stuff and working on smaller projects that had been set aside. I imagine a lot of writers are nodding their heads while reading this and saying “Yes!” Thanks, Thea, for reminding us we are all in this together and experiencing so many of the same reactions!

-Julie

Hope and Grief, Connection and Creativity: An Interview with Cara Martinisi

Cara Martinisi is a writer, advocate, certified grief counselor, and mom to three little boys, one in heaven and two on Earth. She lost her 6-year-old son in a tragic accident in 2014. She blogs about her journey, sharing with others the beauty and wisdom she and her family have found in the pain they experience. Visit her blog at Christian’s Red Balloon and her new foundation Love From Heaven to support grieving families. You can also connect on Twitter at Grief’s Guiding Light @lightofgrief.

Cara, you have a beautiful blog about dealing with the loss of a child, and you’ve published other articles in a variety of blogs (including this one) besides. What is it like trying to capture your experience, your emotions, in words? 

Self-expression in words has always come easy to me. In fact many times, I find myself narrating situations in my own head as they are unfolding. The physical act of writing is soothing. I love the way pen and pencil feel on paper. As my emotions leave my body and the pen glides along the page, a certain sense of calm overcomes me.

There are some emotions that are more difficult than others to put into words. When I have trouble finding words that fit my emotions, I turn to meditation. Often this works, but not always.

Photo by Aung Soe Min on Unsplash

After Christian passed away, my ability to read was gone. The concentration and focus needed to delve into books had vanished. It pained me. It was over a year before I could pick up a book again. Now I read even more ferociously than before. The more I read, the more I am able to express myself. Reading, all different kinds of texts, has proven to be a wonderful compliment to my writing.

Were you a writer before 2014, or did the need to write arise out of your experiences? 

I have always considered myself a writer. English was my favorite subject in high school and my major in college. While many students bemoan paper writing, I enjoyed it. My confidence never paved the way for me to believe that I was good enough to do much more than write school papers. Although I was employed as a Deputy Managing Editor at The Economist, it felt as though it was more my attention to punctuation and detail that landed me my job.

After we lost Christian, writing was my way to carry on his memory. I would post a photograph, accompanied with a blurb about him, each day. At one time photography was a large creative outlet for me. That outlet seems to have dimmed since losing Christian, while writing is taking center stage now.

Grief is a powerful emotion.  Does it serve as a motivator or demotivator for you? 

Grief is an intensely powerful emotion. Most of the time it serves as a motivator for me. Many blog posts are derived from my own real time emotions surrounding grief. It truly helps me to keep the blog flowing, as emotions are always flowing. Grief will always be a part of me. With time and growth, my relationship to it changes, but it will always be there.

There are days, and sometimes more than one strung together, when grief is a demotivator. When these dark days descend upon me, fewer than in the past thankfully, it is difficult to do anything that brings joy. There are times when focusing is difficult. Eventually the fog lifts and I find myself returning to writing.

What did you hope to achieve when you started the blog, Christian’s Red Balloon?

My goals have always centered around helping others. It is all about healing. The hope has been to help others heal as well as to continue walking my own healing journey. I have received messages from grieving parents, those who have experienced grief in the past, as well as people who have just walked through tough times telling me that my writing is relate-able and helpful. While I am aware that my blog speaks most poignantly to grieving parents, I am also aware that none of us escape the world without running into some trouble.

It has been over a year that I have been writing my blog and it has become abundantly clear that a strong message is hope. Hope for those grieving, hope for those who are sick, hope for those who are experiencing tough times. We cannot control what comes our way in life, only our reactions. We need to move through the pain, the troubles that arise, and find light. For that is the only way to live again after you have been burned by the fire.

Continue reading “Hope and Grief, Connection and Creativity: An Interview with Cara Martinisi”

Creativity: Mysteries, rituals, and the power of practice

Photo by Tim Mossholder on Unsplash

For the artist, the wellspring of ideas is like the Holy Grail: the elusive key to eternity, the stuff of legend. Creativity goes by many names: inspiration, invention, genius, The Muse. Where, though, does it come from? As writers, we’re obsessed by this question, desperate to derive a map to it, that we might come and drink from it as we desire, fearful that at any moment we may be cut off from it forever. 

As parents, you are confronted daily by the spontaneous creative explosions that are the norm for kids. What’s the only thing more creative than a bored child? A group of children. Hyped on sugar. 

I had a front stage pass to this innate, if raw, creative capability recently. When the play-date ended and I had a few minutes of quiet to work in my office, I sat staring at the cursor while it blinked at me. I had just been tossed about by a whirlwind of creative play, and yet found myself unable to articulate an idea, let alone a useable sentence for my Middle Grade fantasy-in-progress. (O! The irony!) Instead, my mind kept wandering not only to the question of where ideas come from, but to why it is it that kids and adults experience creativity so differently. 

Photo by Nick Hillier on Unsplash

So I turned to Google. What could it tell me about the sources of creativity? Apparently, it doesn’t exist in any one part of the brain. According to professor of psychology Arne Dietrich, author of How Creativity Happens in the Brain, creativity taps into many different mental processes. And contrary to the old adage that ‘necessity is the mother of invention,’ this 2016 Scientific American article from Tim Vernimmen posits that plenty may actually foster greater creativity. Very Maslowian. The other key factor? The degree to which we are interconnected as a society, at least according to psychologist Michael Muthukrishna. He’s supported by evolutionary biologist Joe Henrich, who (in the same paper) states, “History shows that inventions invariably build on earlier findings that are recombined and improved upon. Most of the things we use every day are inventions that no single human being could ever design within her lifetime.” 

So there are really no new ideas? Just new combinations of ideas? This sounds not only like it could be a quote from Audre Lorde or Mark Twain (which it very nearly is) but like we’re getting close to the idea of a universal mind, or “Over-soul” as Ralph Waldo Emmerson dubbed it. If you think this concept belongs purely with the Transcendentalists and psychologists (a la Carl Jung’s collective unconscious), then you might be interested to learn that eminent physicists David Bohm and Erwin Schrödinger (who won a Nobel prize) also support the theory that there is a single human consciousness which we only perceive as being individual.

I guess it could explain how multiple individuals, or even groups, can arrive at the same point of invention at the same time without communication: whether we’re talking cave paintings, pyramids, or plot lines. But why do kids seem to be able to tap into it so much more readily than those of us with a few more years under our belts?

It all basically boils down to consistently opening the door to invite the creative into our lives. The more often we open the door, the easier it swings on the hinges.

Continue reading “Creativity: Mysteries, rituals, and the power of practice”